Setar is an instrument with a simple and humble appearance comparing to other instruments in Iranian traditional music. It is a string instrument played with a pick or fingernail. It is constructed using wood, metal and wire. The strings used to be made from animal’s intestine but nowadays metal is widely used. Persian Setar is from Tanbur family of instruments; Today’sSetar is considered a close cousin of the instrument Tar.
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Source : Rhythmitica
About Tanbur instrument
Persian Tanbur is a string instrument in which the strings are installed on a long frame with a bowl shaped body. Player uses the hand fingers to play Tanbur. It is closely related to Setar and Dotar which are also played by fingers sometimes held together for strumming.
Tanbur
Iranian Tanbur
Tanbur has epic, mythical and mystical characteristics and it is often used to accompany the narration of epics. This instrument has traveled far and wide in time and space and it has taken on different names and shapes. The neck and body of Tanbur is one whole piece similar to Setar. Between 10 to 15 frets are placed on Tanbur. Iranian Tanbur has 4 strings and as mentioned before is played without a pick.
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Source : Rhythmitica
About Ney instrument
Ney is a cylinder shaped (flute-like) woodwind instrument. It can vary in diameter (1.5-3.0 cm) and length (30-70 cm). In all versions, 5 consecutive (finger) holes are placed closer to one end and one hole closer to blown-end. Tuning cannot be changed on a Ney instrument. Hence, it is usually utilized as a solo instrument. In an orchestra, Ney player usually has access to numerous Neys to accommodate different tunings. Ney’s range is about 2.5 octave. Going to higher octaves is possible by blowing more air. Meaning, by doubling the pressure, the sounds will become higher pitch by one Octave. Persian Ney is played throughout Iran.
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Source : Rhythmitica
About Kamancheh instrument
Kamancheh is another string instrument of Persian music. It has four strings. These parallel strings extend through the length of the instrument. The sound created by Kamancheh is attractive and somehow muffled. The main body is usually constructed from Morus wood. Kamancheh dates back to pre-Islamic era of Iran. In Baluchestan region, Persian Kamancheh is known as Qeyzhak, main difference: it has more strings. The muffled sound is a signature of Maestro Bahari’s school of Kamancheh. The more progressive way of playing has been mainly developed by Maestro Keyhan Kalhor. In countries such as Egypt, the instrument is known as Robab. Another historical fact: The Ottomans had a 3-string Kamancheh (15 to 17 century A.D.). A bow is mainly used to play Kamancheh.
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Source : Rhythmitica
About Oud instrument
Oud (name is originally Arabic) finds its origins in Akkadian era. Shah Shuja was using an instrument called Gudi, probably a name with Arabic origins. It was thought that this musical instrument was invented by nomad tribes since it was light and mobile. Some believe it was originated in Caucasus region, other sources report more western regions as a point of origin. Some findings show an early elliptical design of Oud found in the ruins of Shush, Iran. Some experts theorize that a priest is shown to be playing it in that depiction.
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Source : Rhythmitica